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de​·​s​í​·​di​·​a

by osorganistasdamorte&dofuturo

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suar as entranhas
emparedadas
numa casa de cores
lava lama a correr
nas paredes de bolor
.
longa chama acessa
qual sangue em brasa
.
lúgubre memória
das noites em casa
.
chuva seca em roupa molhada
cérebro empapado dos pensamentos exasperados
.
eterno rodopio
vertigem voraz
viagem aberta
num céu sem paz
.
ânsias de roer
um dedo de fome
cascada no vento
nuvem disforme
.
abraço o terror
e anulo o meu ego
desfaço-me em pedaços
e colo-os com um prego
.
aglomero-me em sublimação
e ascendo purificada
uma chapada de água
e acordo queimada
.
descubro
então
que
foi
um
pensamento
errado
.


[UK]
The evermoving premise of osorganistasdamorte&dofuturo puts the obvious frailties of the human psyche bare. In one of his most iconic dialogues, Rustin Cohle shoots: "I think human consciousness is a tragic misstep in human evolution".

This is the strongest thesis of dialogue, but it is not the only one. The second affirms the unfortunate result of this same consciousness: the notion of an "I". Finally, the solution: the denial of programming towards extinction. It is within this notion of "nightmare of consciousness" the three tracks of de·sí·di·a live in.

However, the solution pointed out rather goes through a state of emotional anesthesia, that is, to be located over or on the margins of the process which transforms sensation in emotion. The continuous drone contributes to the effect as does the ongoing confusion of delays, obscured voices and various environmental electronics notes. Rhythmic elements are identifiable but are always subdued to a wall of sound reminiscent of the best noise “tradition”.

This constant imbalance between an oppressive background and fleeting emersions of rhythm or melody are dialogues somewhere between death and future, breaking the barriers that define one or the other. It is in the domain of the strange and the shapeless that de·sí·di·a is installed as the last stronghold in the face of the inadequacy of consciousness to which Cohle alludes: sufficiently developed to install a reasonable certainty of doubt, but forcefully and permanently insufficient.
Filipe Adão

credits

released January 28, 2021

MiMi Records
[mi282]
JAN 2021

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MiMi Records

[PT]
MiMi é uma label que tem como objectivo divulgar o que se faz em Portugal e no Japão relativamente às novas tendências da música.

[UK]
MiMi is a label concerning the release of japanese and portuguese music.
... more

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